[artist profile]
Alessandro Scarabello (Rome, 1979) is an Italian artist based in Bruxelles. He holds an MFA from the Royal Academy of Fine Arts (KASK) of Ghent and a BFA from the Fine Arts Academy of Rome.
In the artist’s words, “Painting allows me to step out from the incessant flood of human activity and watch it flow in front of me. I consider it a privilege to paint an image in a saturated landscape of digital images. I believe this is a radical position that allows me to focus on my very nature and autonomy as an individual, to interpret personal and non-personal life events through the infinite possibilities of this medium”.His most recent practice focuses on gestures and reduction, combining elements that are drawn from classicism, myths, theater, masks, ancient statuary and the inheritance that comes from his city of origin: Rome. He aims to reduce these images to an essential structure and to a simplified atmosphere where they lie in a very raw state driven by invisible forces – a place where the levels of sensations are ready to be rearranged autonomously by the viewer in a continuum of the work.
Alessandro Scarabello has exhibited widely, including at the Royal Museums of Fine Arts in Brussels, the PAC and Palazzo Reale in Milan, Palazzo Collicola in Spoleto and Palazzo delle Esposizioni in Rome. Scarabello has been invited to several biennial events including the Bienal del fine del mundo in South America, the Biennial for Mediterranean Countries in Alexandria, Egypt, the Biennial of Tunis and the Biennial of young artists in Monza. He is co-founder and co-director of MODO asbl, a cultural association in the heart of Brussels, Scarabello works with fellow-artists Serena Fineschi and Laura Viale to stimulate, enrich and renew the dialogue on the centrality and importance of the single work of art in a crowded landscape of digital imagery.
[selected works]
I still paint, installation view at The Gallery Apart Rome, 2020 Movimento (Spicatum), 2018, oil on canvas, cm 94×83 Siparietto delle muse, 2019, oil on canvas, cm 101×89 Opera rubra, 2019, oil on canvas, 3 elements cm 179,8 x 141 each, installation view Sala delle gesta, Palazzo della Corgna, Castiglione del Lago Rendez-vous, installation view at Musée Oldmaster Museum Brussels, 2018 Untitled (Banquit and Debate series), 2017, oil on canvas, cm. 101 x 89 Untitled (Banquit and Debate series), 2017, oil on canvas, cm. 101 x 89 Rendez-vous, installation view at Istituto italiano di cultura Brussels, 2018 Untitled (Banquit and Debate series), 2017, oil on canvas, cm. 105 x 89 Untitled (Banquit and Debate series), 2017, oil on canvas, cm. 101 x 89 Banquit, diptych, 2018, oil on canvas, cm. 121 x 210 Il tocco di Mida, diptych, 2019, oil on canvas, cm 89,5×101,5 each Phoenix, 2018, oil on canvas, cm. 85 x 72 Rodeo #2 (The Prize), 2017, oil on canvas, cm. 96×76 Uppercrust, installation view at Palazzo della Corgna, Castiglione del Lago, 2019 Uppercrust – Heads, installation view at Palazzo della Corgna, Castiglione del Lago, 2019 Uppercrust, installation view at The Gallery Apart Rome, 2012 The Pendulum, 2016, oil on canvas, cm 202 x 156 The Gentleman (After Rogier Van Der Weyden), 2016, olio su tela, cm 196 x 132 The Womb, 2015, oil on canvas, cm180x129 Installation view at Royal Academy of Fine Arts (KASK), Ghent 2015 Uppercrust_heads #68, 2012, acrylic and oil on canvas, cm29x31 Uppercrust #8, 2011, acrylic and oil on canvas, cm187x154